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unlike AVID that relies heavily on post production professionals with loads of money. If anything their market is more towards small producers, home studios, DIY musicians etc. The way I see it and I hope I'm wrong, is that Antares, like Slate, are not relying on just professionals to support their businesses.
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Don't forget that most of the home/bedroom studios are pretty much "required" to have a copy of Autotune for "the effect" no one really cares about Antares or to even own a legit copy (see all interviews with T-Pain saying he was going through thousands of cracked plugins till he found the right one).Īs you say, the issue could/will start when the M1s will finally be a thing and either Antares provides free compatibility with older versions or people will naturally move towards companies that will provide the "Autotune Effect, T-Pan effect, Cher Effect" without costing $250/year. Until now I've been tracking through AutoTune in low latency mode just fine with my old 2012 iMac with no issues with my HD Native setup, but I can understand why DSP could still be desirable for some pros. $250/yr ($20+/month), written off as an expense, is not a big deal, if it’s essential to your daily work and client needs.I actually don't see the need for mandatory DSP with Autotune.
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If you need auto tune dsp for tracking/live monitoring, which is most genres that use it heavily, there still is no other option.
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Plus most of us lived through the PowerPC to Intel change.
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If that’s the case it will take quite some time as most professionals are in no rush to upgrade to M1 as no one wants to face the downtime. The Slate tune sounds good from what I’ve gathered off YouTube vids. $250/yr ($20+/month), written off as an expense, is not a big deal, if it’s essential to your daily work and client needs.ītw, The group settings for mixing is really helpful.
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Is the UA version subscription? That’s where most use it for DSP tracking/live monitoring. Hopefully I’m totally wrong.If that’s the case it will take quite some time as most professionals are in no rush to upgrade to M1 as no one wants to face the downtime.
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So the moment people won’t be able to update AutoTune unless they decide to subscribe for $250/year in order to be able to use it with their new M1 machines it will be over for Antares. What makes Slate a better company and a more convenient solution is that they sell perpetual licenses too. And that is making people leave companies to begin with (see iZotope). You are clearly not following the thread where Antares started offering updates and new plugins to subscribers only. Inside Audio calls MetaTune “The most powerful and intuitive pitch correction plugin on the market.” This is automatic tuning the way it was meant to be ? No more manually copying settings from one instance to another. And if you make those changes with automation, you can add dramatic key changes across tons of tracks in seconds. It couldn’t be easier ✨Īssign your MetaTune instances to Groups-changing one changes them all. HeatMaps show you where your notes are landing & how they’re being adjusted. Its clean, intuitive interface will have you ready to ride in seconds-even if you don’t know scales & chords. MetaTune is dead simple to use, so you don’t need to watch dozens of YouTube videos to get started. Get the hardest tuning effect imaginable with no absolutely zero note fluttering ? We studied the leading automatic tuners and went even further with Negative Speed & Note Stabilizer. Looking for that hard-hitting tuning effect that dominates modern music? Your search is over. From subtle, natural pitch adjustments to in-your-face fx, MetaTune is the automatic tuner you’ve been waiting for ? Get insane robo fx with negative speeds, a gorgeous interface that’s easy to use, and amazing new features like Grouped instances & a built-in Doubler for wide, thick vocals. MetaTune is the world’s hardest hitting tuner EVER. Say goodbye to expensive, buggy automatic tuners, because there’s a new game in town. Meet MetaTune, the best automatic tuner on earth